Mathew Abbott presents a powerful new film-philosophy through the cinema of Iranian director Abbas Kiarostami. Mathew Abbott argues that Kiarostami's films carry out cinematic thinking: they do not just illustrate pre-existing philosophical ideas, but do real philosophical work.
Crossing the divide between analytic and continental philosophy, he draws on Ludwig Wittgenstein, Stanley Cavell, John McDowell, Alice Crary, No l Carroll, Giorgio Agamben, and Martin Heidegger, bringing out the thinking at work in Kiarostami's most recent films:
Taste of Cherry,
The Wind Will Carry Us,
ABC Africa,
Ten,
Five,
Shirin,
Certified Copy, and
Like Someone in Love.